and music production
Tenor - SAG/AFTRA, AGMA
I am a SAG/AFTRA session singer and music producer in Los Angeles. Some feature film singing credits include: The Lion King 2019, Deadpool2, The Predator, Jumanji: Welcome to the Jungle, Transformers: The Last Knight, Rogue One: A Star Wars Story, Star Trek Beyond, Xmen :Apocalypse, Godzilla, Dawn of the Planet of the Apes, and Disney's Frozen.
I have worked under Maestros Charles Dutoit, Michael Tilson Thomas, Gustavo Dudamel, Juanjo Mena, Lionel Bringuier, Jessica Cottis, Bramwell Tovey, Sir John Rutter, Eric Whitacre, and Grant Gershon.
A few years ago, I sang on several infectious "$5 footlong" radio and tv spots for Subway.
I sang on several volumes of the best selling relaxation music series Liquid Mind by composer Chuck Wild.
I produced a cd called THE KURT WEILL PROJECT which was released on the label LML Music, and a Christmas album called BRITISH CHRISTMAS.
As a singer I have performed with the LA Master Chorale, Tonality, de Angelis Vocal Ensemble, Los Robles Masterchorale, Santa Barbara Choral Society, LA Choral Artists, Jouyssance; also the LA Philharmonic, NY Philharmonic, LA Symphony, Les Sauvages Americans, and New West Symphony.
Backup vocal gigs for pop artists include Dream Theater, Petra Haden, Mark Cote, and Katrina.
As a composer, I have composed music cues for the web series Failing Upwards and an independent film called Waiting In The Wings, also the theme song for the webseries #mylifeisajoke.
TV/Video Appearances include Castle, Star Trek Enterprise, Beethoven9 with Dudamel, Dudamel Conducts Verdi’s Otello, Aida, Requiem. MTV Video Music Awards, The Dope Show music video by Marilyn Manson, and 2 solo music videos in connection with the Kurt Weill Project.
Discography: British Christmas - The Kurt Weill Project - Dream Theater: The Astonishing - Liquid Mind: Volumes 6-10 -
Los Angeles Master Chorale: Festival of Carols.
I assist singers, composers, songwriters, and voiceover artists with production of their original material.
A small studio with a vocal isolation booth and a control room. I use an Neumann U87 and AKG 414 mics, Neve 500 Series Lunchbox, Rupert Neve 517 mic preamp and compressor, Fredenstein Artistic Comp Compressors, Apollo Twin interface, and Sony H8 and NS-10 and Avantone monitors.
For midi track programming and orchestrating, I use Logic and Pro Tools. For orchestrations and sound libraries, I use : East West, Vienna Sound Libraries, Keyscape, Trillian, Komplete Ultimate, Broadway Lites, Spitfire Strings, and Izotope, Ozone, and Universal Audio.